Bring Something Incomprehensible Into This World / by Anne Lanzilotti

In anticipation of the release of Scott Wollschleger's debut album, Soft Aberration, I will be sharing my program notes for each of the works. This week's notes are on Bring Something Incomprehensible Into This World for trumpet and soprano.

Coming out of the deterioration of musical dialogue that ends Soft Aberration, Bring Something Incomprehensible Into This World explores the sound of language itself. In a recent conversation discussing these two works, Wollschleger elaborated:

I think there’s a semiology of duet—how do you treat two people or two things that are going to have a discursive interaction?
The text, [originally: “Bring something incomprehensible into the world!”] is from the philosopher Gilles Deleuze in reference to Heinrich Von Kleist. I think of the title as a very affirmative statement of what I personally think the goal of art should be: rendering something into existence that is inconceivable before it happens. That to me is the most powerful thing I can imagine doing with my energy.

While the work was originally conceived as a whole, it has been split into three sections for this album. These three parts link the other works together in an arc, framing them and showing their relationships. In Part I of Bring Something Incomprehensible Into This World, Wollschleger says:

The trumpet and voice are in a playful dialogue. The text is presented in fragments. The fragments are made of single words or just syllabic sounds. I found breaking the text up into smaller sounding parts allowed me greater flexibility when writing the piece and ultimately allowed for a more free-spirited approach. The arrangement of the vocal sounds sometimes imply new words and phrases.

Now framing different works on the album, each section of the piece takes on a different exploration of sound. We start hearing how little melodic fragments of this piece are hiding in other works.

Often the trumpet and the voice blend together to create what I call a “dirty unison.” I imagined the sounds of the words themselves being “smeared” by the trumpet’s sounds. I think the interaction between the voice and the trumpet implies a kind a hybrid instrument or a mutant offspring that is the combination of the trumpet and the human voice.

Rather than pulling the words apart more, this version in three parts becomes the mantra or philosophical goal of the album: Bring Something Incomprehensible Into This World.

In personal correspondence, Wollschleger once said of this process:

There are not going to be concrete solutions anytime soon but there are going to be concrete experiments that are pushing to articulate a new version of the real. You’re doing this in all its unclear and painful glory. . . . Just remember you’re not crazy. You’re actually creating a new way of thinking.

Soft Aberration is available on New Focus Recordings October 20th!

Read the previous post in this series on "Soft Aberration."

Read the next post in this series on "America."