electronicmusic

Artists at Noguchi: Sounds of Akari by Anne Lanzilotti

Friday, April 6, 2018, 6:30pm at The Noguchi Museum

In celebration of the exhibition Akari: Sculpture by Other Means, The Noguchi Museum presents Sounds of Akari, a musical performance featuring violist Anne Leilehua Lanzilotti, harpist Ashley Jackson, and flutist Alice Teyssier in a program featuring an original composition by Lanziotti and works by Claude Debussy, Andrew Norman, and Toru Takemitsu.

Inspired by the poetic, ephemeral nature of Isamu Noguchi’s Akari, Lanzilotti incorporates sounds of Akari themselves into her work for flute, viola, and harp. Recordings of tapping, opening and closing, and rubbing the washi paper, bamboo, and wire of the lanterns evoke the feeling of being inside the light sculptures. Additionally, the three instrumental parts of the composition draw subtly from the other pieces on the program, incorporating works of the past as Noguchi was inspired by the transformation of traditional paper lanterns into modern lights.

Following the premiere of Lanzilotti’s work, the program will continue with three other works that evoke the fragility and lightness of Akari. Itinerant was written by Takematsu in memory of Noguchi shortly after his death. The work changes moods frequently to reflect the transient nature of Noguchi’s life. Norman’s Sabina recalls sunrise in the Church of Santa Sabina, in Rome, Italy, drawing a comparison to the way that Akari makes light soft and beautiful by filtering it through washi paper. Finally, Debussy’s Sonata for Flute, Viola, and Harp moves through moments of lightness and joy and fragile sound as timbres of these three instruments combine.

This program is free and coincides with Free First Friday, with free admission offered throughout the day. RSVP recommended: publicprograms@noguchi.org

The concert will coincide with the release of my new album The Akari Sessions (featuring Romina Monsanto). While the album stands alone, it is meant to be listened to in the exhibit, Akari: Sculpture by Other Means.

A Contemporary Music Ensemble Playlist by Anne Lanzilotti

One of my students in the Contemporary Music Ensemble at University of Northern Colorado asked if I could put together a list of works they should listen to because, he said, the "new" music he was used to hearing was not as weird as the new music we are doing in class (so far we've had units on Deep Listening and the Wandelweiser Collective).

So, here are some composers that students should know if they're studying with me, in no particular order. I left out some important collaborators and intriguing new discoveries, but I need to go run and teach the viola:

Andrew Norman, Play (2013, rev. 2016)

My listening guide: http://www.musicandliterature.org/features/2016/10/25/cut-to-a-different-world-andrew-norman

Anna Thorvaldsdottir, Aeriality (2011)

My listening guide: http://www.musicandliterature.org/features/2017/5/18/anna-thorvaldsdottir-a-part-of-nature

Dai Fujikura, Engraving (2014)

No listening guide for this one, but I'll be publishing some brief thoughts in the next issue of the American Viola Society Journal on Engraving, which I gave Dai feedback for when he was writing it. Here's the blurb on Dai for AVS:

. . . I think that’s part of what Dai Fujikura wanted to do by the asking the performer to determine the order of the “elements” and therefore the form in Engraving. By forcing the performers to chose which permutation of the piece to play, he is making them think about how these textures or systems of organization could be put together to create a piece. He asks them not just to learn the notes, or to be able to execute the piece on a “surface level,” but also to take part in the process of thinking deeply about how one thing leads to another.

(I have one of Dai's manuscript pages up in my office, for curious students . . . )

Caroline Shaw, To the Hands (2016)

From the composer herself:

I’ve made all parts available here. With the understanding that any performance of this piece is accompanied by rigorous solicitation of donations for those without homes (locally and globally), and strong support for active & informed conversation with policy makers. Let us open our hands to those of others. (What are these wounds, in my hands, and in yours?) Walls are not the answer. We are all creatures.

Tyshawn Sorey, Verisimilitude (2017)

Alex Ross's piece in The New Yorker: https://www.newyorker.com/magazine/2017/07/10/tyshawn-sorey-defeats-preconceptions

Scott Wollschleger, Brontal Symmetry (2015)

Scott is a longtime collaborator and dear friend. I'm releasing my program notes for Scott's new album one by one this month. Here is the first one and a live performance by the wonderful trio Longleash.

Eliane Radigue, L'Île Re-Sonante (2000)

Kate Molleson's wonderful interview with Radigue: http://www.edition-festival.com/?p=252

Vijay Iyer, Far From Over (2017)

This is the album I brought into class to add to our little studio lending library. Here's a teaser from ECM (and some of you may notice Tyshawn on drums!).

Kate Soper, Ipsa Dixit (2010–16)

Alex Ross's piece in The New Yorker: https://www.newyorker.com/magazine/2017/02/27/kate-sopers-philosophy-opera