soundingsculpture

Obsidian Sound Sculptures at The Noguchi Museum by Anne Lanzilotti

I got another chance to play with these incredible obsidian sounding stones by Isamu Noguchi! Although they are normally not displayed publicly, The Noguchi Museum staff has been very generously allowing me to improvise on them and record the sounds to workshop a new piece I'm writing for the stones, strings and voice. The premiere of my piece will be part of a concert at The Noguchi Museum on Sunday, February 5, 2017 at 3pm. The concert is free with museum admission. Here are a couple videos from last month when I was experimenting with different ways of playing the stones:

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UPDATE: Here is the archival footage of the premiere of birth, death filmed on location at The Noguchi Museum.

This work was written in honor of the exhibition of Isamu Noguchi’s two sculptures Birth (1934) and Death (1934) being displayed together in the same gallery for the first time. The two obsidian sound sculptures used in birth, deathUntitled (1978) & Sounding Stone (1981)—were created by Noguchi to be played as instruments. The string players should tune 1/6th tone flat to match the pitch of the stones, and in general all pitches should be tuned to the overtones of the stones. birth, death may be performed on other stone, metal, or glass objects with the fundamental of E and/or G for the first movement, and C-sharp for the second movement. The work is dedicated to Anne Grilk King.

Premiered February 5, 2017 at The Noguchi Museum, Long Island City, New York. Many thanks to The Noguchi Museum’s incredible staff for facilitating rehearsals and access to these unique sculptures.

Download the score.