Cover art by Jasmine Parsia

Cover art by Jasmine Parsia

My new album in manus tuas on New Focus Recordings features works by Anna Thorvaldsdottir, Caroline Shaw, Andrew Norman, and me!

“She writes beautifully about music: what it means, why it matters, and how it relates to our lives. . . . These are passionate and eloquent renderings of some seriously striking music composed by leading contemporary composers.” —hocTok

“an entrancing new album” —Alex Ross

”this gorgeous album by Lanzilotti . . . engages head and heart in equal measure.” —AnEarful

“Lanzilotti heightens the prescribed duality . . . with viscerally stunning shifts that fade away as the piece unfolds.” —Peter Margasak, Best of Bandcamp Contemporary Classical: August 2019

The album has been featured in Steve Smith’s Log Journal Playlist (Live life out Loud) and Alex Ross’s August 12, 2019 Nightafternight Playlist: New and recent recordings of interest.

Anne Leilehua Lanzilotti is a "leading composer-performer" (The New York Times) dedicated to the music of our time. She was recently appointed Curator of Music at The Curtis R. Priem Experimental Media and Performing Arts Center (EMPAC) at Rensselaer Polytechnic Institute.

Lanzilotti has performed with contemporary music ensembles such as A Far Cry, Alarm Will Sound, International Contemporary Ensemble (ICE), Ensemble Échappé, and Ensemble Signal. As a recording artist, she has played on albums from Björk's Vulnicura Live and Joan Osborne's Love and Hate, to Dai Fujikura's Chance Monsoon and Ted Hearne's The Source. Lanzilotti’s current commissioning initiative, The 20/19 Project, includes new works by Anna Thorvaldsdottir, Andrew Norman, and Scott Wollschleger.

As a composer, Lanzilotti is interested in translating sounds from everyday life onto traditional instruments using nontraditional playing methods. Her compositions often deal with unique instrument-objects, such as her commissions from The Noguchi Museum involving sound sculptures or the Akari Light Sculpture installation, and collaborations with Nina C. Young and Senem Pirler. Lanzilotti has been featured as a composer-performer on Tulsa Living Arts OK Electric Festival, the Dots+Loops series and Sound School series in Australia, and a guest composer at Thailand International Composers Festival.

To reach new audiences and share contemporary music, Lanzilotti has published articles in Music & Literature and Neue Zeitschrift für Musik, and written program notes for London Symphony Orchestra. Lanzilotti's dissertation is an analysis of Andrew Norman’s The Companion Guide to Rome showing the influence of architecture and visual art on the work. As an extension of the research, she created Shaken Not Stuttered, a free online resource demonstrating extended techniques for strings. Lanzilotti is a co-founder and Artistic Consultant for Kalikolehua — El Sistema Hawai‘i, a free orchestra program for underserved youth.

Dr. Lanzilotti studied at Oberlin Conservatory of Music, Yale School of Music, and Manhattan School of Music. In addition, Lanzilotti was an orchestral fellow in the Rundfunk-Sinfonieorchester Berlin and the New World Symphony. She participated in the Lucerne Festival Academy under Pierre Boulez, and was the original violist in the Lucerne Festival Alumni Ensemble. Her mentors include Hiroko Primrose, Peter Slowik, Jesse Levine, Martin Bresnick, Wilfried Strehle, Karen Ritscher, and Reiko Füting.

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