The 20/19 Project will support the creation of new viola sonatas by Andrew Norman, Anna Thorvaldsdottir, and Scott Wollschleger, as well as recordings of and educational resources for the works.
The 20/19 Project is rooted in the legacy of the viola. While researching repertoire, I came across a surprising historical synchronicity: three of the most performed viola sonatas in the repertoire were created in the same year, 1919. That year, arts patron Elizabeth Sprague Coolidge held her annual composition competition, encouraging two of her close friends—Rebecca Clarke and Ernest Bloch—to submit viola sonatas. Halfway around the world, a young Paul Hindemith was finding his voice and wrote his own viola sonata inspired by Claude Debussy's colorful writing. These pieces have become staples of the viola repertoire through performances by great viola soloists such as Clarke and Hindemith themselves, scholarship, and recordings/curation of the three works together because of their origins in the same year.
Now approaching 2019, we will celebrate the centennial through new sonatas by Andrew Norman, Anna Thorvaldsdottir, and Scott Wollschleger. Legacy is developed over time through the impact of works which are given substantial resources beyond the premiere: in particular, high-quality recordings lead to repeated performances and integration into curriculum. The 20/19 Project will go beyond the commissions and premieres of the sonatas to include recordings of the works and video tutorials to show extended techniques used with brief interviews of the composers. Through this extensive free educational resource (an expansion of www.shakennotstuttered.com) other performers, students, and audience members will have a window into the creative process and a way to continue to learn the works, advocate for a culture of curiosity, and support a thriving culture of contemporary music for everyone.
Current stage of the project:
The commissioning fees for the composers have been funded with the generous support of Elizabeth & Justus Schlichting.
We have received additional support from the Rebecca Clarke Society and the University of Northern Colorado Provost Fund for Faculty Scholarship and Professional Development for workshops with the composers.
We completed a workshop with Scott Wollschleger (see video above), and are in the process of editing the first set of technique videos for Shaken Not Stuttered for his piece.
We will be doing a residency and workshop with Andrew Norman at Oberlin Conservatory in April 2019.
Four/Ten Media and I will be traveling to London for a workshop with Anna Thorvaldsdottir at her studio in London in April 2019.
We have a residency to work on the pieces at Avaloch Farm Institute in August 2019.
The world premiere will take place at Madison New Music Festival in August 2019.
Be a part of the legacy
We're excited to invite you to be a part of the legacy by funding the rest of The 20/19 Project so that that the recording and educational resources mentioned above will allow us to share these wonderful new works with a wider community of musicians and audience members. By professionally recording, mixing, and mastering these works and releasing them as an album, I will be able to have an impact and reach audiences beyond my immediate community.
All donations to the project are tax deductible and will be managed by fiscal sponsor Kalikolehua (501c3 letter attached). To support the project, please follow the link below to donate directly to our fiscal sponsor. When prompted to "Add special instructions" on the following page, please indicate "The 20/19 Project" so that your support will be directed to this project.
Read more in Music & Literature: "Cut to a Different World": Andrew Norman or in Neue Zeitschrift für Musik, "An Architecture of Society: The American Composer Andrew Norman."
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