As a slight change for this session, I'll answer the big questions that Beeching sets forth at the beginning of this session page:
How do we allow for the playful, exploratory, and experimental part of the process as well as for the critical, and analytical part? About two years ago, I started to incorporate improvisation into my practice, recording it so that I could use that material to compose. It was a way for me to spend more hours in the sound world of playful experimentation.
What’s your process like and how do expectations factor in? I have a system for practicing the viola now that works for me that has to do with timed focused sessions and timed restful breaks. Focused practice is meditative for me, and I think improvising and composing opened up my practice in a new way to helping me approach the instrument with a relaxed, connected technique. I realized listening to Beeching talk about expectations that I have the unhealthy expectation that I should be able to practice without breaks, that I should be able to work harder always. So for me, using the timer for daily practice in combination with really big longterm projects gives me motivation to put in the time and the wisdom to take time for slow, practice really listening to sound.
What tools or approaches help you to “ship” the work—to complete your work and get it out in the world? Deadlines, pure and simple. I've gotten better at knowing how long I need and then planning ahead. That way, I am giving myself the time to work at my pace and turn out good work.
Beeching emphasizes in this session to keep doing creative work, and that the process of exploration and discovery will help the individual be able to "offer that generously to the world." Listen to the whole session on creative process here.
The last day of the Creative Productivity Challenge is about confidence. Beeching says, "Confidence doesn't come before you do something ambitious, it's the result of having done the ambitious thing." She talks about how confidence is not a static state, but rather part of a process within the flow of commitment, courage, capability, and confidence.
I'm working on a commission right now that I had a strong concept for immediately. I was hesitating to execute the concept because I wasn't sure if I would be able to record the sound I wanted, and if I botched it then I worried it would make the whole concept seem ridiculous. So, I decided to go full in: I made a deadline by asking the amazing recording engineer at my University to reserve hours to record, and told him exactly what we would be doing: recording the sound of paper sculptures. Having the appointment and having an expert who showed me respect and took me seriously allowed me to focus completely and really experiment and play with the sounds I wanted in the studio.